Current Projects

This is a 15-minute short film. It is a student thesis film. 

Nathan is a 5-year old orphan who has recently lost his mother. He is temporarily in foster care with Jim, a police officer, and Julie, a homemaker. While playing in the backyard, Nathan meets the new neighbor, a strange looking man who introduces himself a “Mr. Bill,” and the two of them strike up a friendship. Julie feels uneasy about Nathan’s new friend and prompts Jim to do a background check on their neighbor. Jim’s investigation into Bill reveals a shady past and yields more questions than answers. Out of concern for the boy, Jim tells Bill to stay away from Nathan and instructs the boy not to talk to Bill anymore. However, Bill is determined to undermine Jim’s request and manages to talk to Nathan from the shadows and out of sight. Bill convinces the impressionable boy that his foster parents are evil and that he can save him from them. This effectively turns Nathan into a “Manchurian Candidate” against Jim and Julie.

• Job: Film

A new faith-based film starring Dean Cain being filmed in Phoenix, AZ Spring 2019.  They have 40 speaking roles in the film and looking for local talent. 

John Light was one of the most dangerous prisoners in Arizona’s State Penitentiary. He was a legendary local barroom brawler who surprisingly finds God in a prison Bible study. Now reformed, John must face life on the outside as a new man in Christ. His only allies are the Good Lord and a meek and mild mentor who has never thrown a punch in his life.

• Job: Film

Wild west action movie filming in Northern California. Shasta County. February through March. Production company: Millman Productions & The Darkest Machines . Director Rene Perez. We are filming in the snow. Please make sure you are willing to deal with the snow weather. 

The services of a murderous gunslinger are needed. In order to insure his services, he is given slow acting poison. If he doesn’t receive the antidote within three days, he dies. He won’t be given the antidote unless he completes a seemingly suicide mission to rescue a kidnaped child.

• Job: Film

NationSwell, a leading social impact media company, in conjunction with a well known and well respected Nationwide Nonprofit have partnered together to create a video series about real family members, and life’s transitions.  

Transition can happen at any life stage. In a single, multigenerational family, two family members might be experiencing the same big life moments at the same time! In this video series we will introduce audiences to pairs of family members who are doing just that: ie. A granddaughter and a grandmother who are both getting married/re-married. A father and his daughter launching a new business, a grandmother and grandson learning how to swim. 

Shooting 3 different Videos - open to all gender pairings, age ranges, ethnicities, and life moments & events. 

• Job: Web

NationSwell, a leading social impact media company, in conjunction with a well known and well respected Nationwide Nonprofit have partnered together to create a video series about real family members, and life’s transitions.  

Transition can happen at any life stage. In a single, multigenerational family, two family members might be experiencing the same big life moments at the same time! In this video series we will introduce audiences to pairs of family members who are doing just that: ie. A granddaughter and a grandmother who are both getting married/re-married. A father and his daughter launching a new business, a grandmother and grandson learning how to swim. 

Shooting 3 different Videos - open to all gender pairings, age ranges, ethnicities, and life moments & events. 

• Job: Other

A major cable network is seeking men and women for a once-in-a-lifetime opportunity to participate in a unique social experiment series. This opportunity is for anyone with a sense of adventure, a BIG PERSONALITY and strong opinions about the state of the country today.

• Job: TV

Things take a strange turn when an 8 year old discovers a scarred man in his backyard, claiming to be his imaginary friend.

• Job: Short Film

PAID CASTING - FB Birthday Fundraisers NATIONWIDE!

A Major Social Media Platform is interested in featuring the birthdays of some very special people who have decided to forgo presents, and instead, raise money for a special cause. We want to celebrate real people raising funds in a fun mini documentary-style campaign.

Have you turned your birthday into a Facebook fundraiser?

Do you have a fun or heartfelt reason why you wanted to raise money or awareness?

Are you willing to share your story with the world?

If so, we want to hear from you! Please include a link to your Facebook Birthday Fundraiser in your submission!

We will come to you, anywhere in the US, to film your story!

• Job: Web

The stage production "History of Now" will premiere in 2020. The dynamic story will combine stage and screen including flashback scenes and archive film to maximise the potential and intensity of the piece. The production also offers an educational workshop and an outreach program. 

The subtle yet powerful opening is engaging in its thoughtful approach to flicking the switch between darkness and light. Within this busy production, there are stories within stories. Dynamic stage sets and the combination of screen and stage add a powerful creative dimension. Yet throughout, it is the presence of Krystyna Haeutmann, the energetic young girl and the elderly reflective lady play perfectly, two leading characters of the same person playing opposite one another. It is both dynamic and a masterstroke that validates the story and believability of the character which is essential to the telling of this story.
​
Ms. Haeutmann, now eighty years of age, lives in the same house she moved into on her arrival in the United States in 1951 having spent six years in England, where she was unable to settle. A former teacher of literature, she lives a simple life alone but has never allowed herself to feel lonely. In her opinion; a form of self-pity, unbecoming to the memory and legacy of her younger life and brief forced existence. On reading an advertisement in a national newspaper for German-born survivors of the Holocaust to come forward to record their experiences for future generations and realizing her life is drawing to its natural close, she makes the decision to tell her story and reveal her hidden past. However, history shows a secret of its own.
​
"They were Jews they deserved to die" Haeutmann otherwise calm and calculated in her words burst forward, spinning the reporter round in her chair. "Is that how he still feels?" A rhetorical question which is not lost in the silence that pursues. Throughout the production, Alex Jayson's use of silence at times is deafening in its dramatic pause. This is illustrated perfectly in a segment of the play that appears during Act Two. Haeutmann's narrative becomes increasingly more poignant due to the past moments that again reflected darkness and light. Haeutmann’s mood change now shifts the dynamics of the production. The aged figure appears detached, as though removed from the present her every word, etched in pain, is a footstep taking her back until there is a sense of her presence on stage waiting. Her words stop. There is a still image, no movement until…The young Krystyna enters on stage. The symmetry between the young and old HAEUTMANN's synchronized movements are compelling. Although there is little happening, every single tranquil, undisturbed flick of the wrist becomes even more heightened. Jayson’s skillful writing and directing create a moment that is beautiful and touching. It is powerful in its simplicity. Harrowing in its execution. However witnessing silently as they become bound to each other at this moment, that is a methodical sweeping embrace across the years. A light within the shadow.
​
The play’s greatest strengths are that it has enough confidence in the audience’s intelligence to avoid spelling things out too explicitly. The relationship between the reporter and Haeutmann whose words drive the play forward with a delicate blend of intellectual and visceral overtures reflect her life and experience against the reporter’s innocence correctly. It is a smart blend that allows the writer to confront and challenge key issues that discharge the need to question their place in time.
​
​​It would be wrong to classify this as just one more Holocaust production. In fact, it is an intelligent and entertaining piece of work that engages on many levels that appeals to young and old across all groups. To witness the History of Now as anything less would be like receiving a gift that is so beautifully wrapped that we leave the real gift inside! To fully comprehend Alex Jayson's latest work we must carefully remove the outer packaging to find the right "PRESENT"

• Job: Stage

The stage production "History of Now" will premiere in 2020. The dynamic story will combine stage and screen including flashback scenes and archive film to maximise the potential and intensity of the piece. The production also offers an educational workshop and an outreach program. 

The subtle yet powerful opening is engaging in its thoughtful approach to flicking the switch between darkness and light. Within this busy production, there are stories within stories. Dynamic stage sets and the combination of screen and stage add a powerful creative dimension. Yet throughout, it is the presence of Krystyna Haeutmann, the energetic young girl and the elderly reflective lady play perfectly, two leading characters of the same person playing opposite one another. It is both dynamic and a masterstroke that validates the story and believability of the character which is essential to the telling of this story.
​
Ms. Haeutmann, now eighty years of age, lives in the same house she moved into on her arrival in the United States in 1951 having spent six years in England, where she was unable to settle. A former teacher of literature, she lives a simple life alone but has never allowed herself to feel lonely. In her opinion; a form of self-pity, unbecoming to the memory and legacy of her younger life and brief forced existence. On reading an advertisement in a national newspaper for German-born survivors of the Holocaust to come forward to record their experiences for future generations and realizing her life is drawing to its natural close, she makes the decision to tell her story and reveal her hidden past. However, history shows a secret of its own.
​
"They were Jews they deserved to die" Haeutmann otherwise calm and calculated in her words burst forward, spinning the reporter round in her chair. "Is that how he still feels?" A rhetorical question which is not lost in the silence that pursues. Throughout the production, Alex Jayson's use of silence at times is deafening in its dramatic pause. This is illustrated perfectly in a segment of the play that appears during Act Two. Ruben's narrative becomes increasingly more poignant due to the past moments that again reflected darkness and light. Haeutmann’s mood change now shifts the dynamics of the production. The old figure appears detached, as though removed from the present her every word, etched in pain, is a footstep taking her back until there is a sense of her presence on stage waiting. Her words stop. There is a still image, no movement until…The young Krystyna enters on stage. The symmetry between the young and old Haeutmann's synchronized movements are compelling. Although there is little happening, every single tranquil, undisturbed flick of the wrist becomes even more heightened. Jayson’s skillful writing and directing create a moment that is beautiful and touching. It is powerful in its simplicity. Harrowing in its execution. However witnessing silently as they become bound to each other at this moment, that is a methodical sweeping embrace across the years. A light within the shadow.
​
The play’s greatest strengths are that it has enough confidence in the audience’s intelligence to avoid spelling things out too explicitly. The relationship between the reporter and Haeutmann whose words drive the play forward with a delicate blend of intellectual and visceral overtures reflect her life and experience against the reporter’s innocence correctly. It is a smart blend that allows the writer to confront and challenge key issues that discharge the need to question their place in time.
​
​​It would be wrong to classify this as just one more Holocaust production. In fact, it is an intelligent and entertaining piece of work that engages on many levels that appeals to young and old across all groups. To see Krystyna - The History of Now as anything less would be like receiving a gift that is so beautifully wrapped that we leave the real gift inside! To fully comprehend Alexander Jayson's latest work we must carefully remove the outer packaging to find the right PRESENT!

• Job: Stage

IMPORTANT: This production will be toured around Europe in Fall 2019 as part of a evangelistic Christian missions trip. Roles will only be given to actors/singers who confidently and expressly identify as bible-believing Christians. The purpose of the trip itself is not to simply perform but to evangelize people for the gospel and use the powerful story of Les Miserables to tell people about Jesus' sacrifice and God's love. 

Announcing auditions for a concert version of the hit Broadway musical Les Miserables! Specific roles we are looking for include, but are not limited to: Adult Cossette, Marius, Fantine, Thenardier, and Madame Thenardier. There may also be possibilities for other smaller roles, shared roles, or understudies. 

Auditions will be held January 26 from 12-4pm. Video auditions will also be accepted for the first round.

We hope to hear from you!

• Job: Stage

Are you looking for love and want to find it on a dating show? Well, then we have a live online game show that you can do from home.

That’s right. You don’t have to leave your house to meet your match. Nor do you have to put on your best pair of pants or highest heels. You can call in via video chat, and once you pick the person you want to go on a date with, you will get to meet your match in person. To make it more enticing, we will pay for your face-to-face date. No FaceTiming allowed for that first meeting.

Since our show is viewed by people of all ages, we need to you to keep it PG-13. We also ask that you dress conservatively for it. You never get a second chance to make a first impression.

Are you ready to meet your possible soulmate? Great! Then to apply, please fill out the information on this link.

This is an online dating show, so you will be able to do it from your home or anywhere where you can videochat.

• Job: Web

Casting people with incarcerated loved ones for a social experiment series. 

Was your loved one recently incarcerated, or are they set to be released soon? Has having an incarcerated loved one become a big part of your identity? Did you grow up with a parent on the inside? Is your child currently behind bars? If you have experience with a loved one who’s been in and out of jail or prison, we want to hear from you!

• Job: TV

 To be produced by Healing Hands Ent, Extreme Christian Entertainment and filmed next Summer on location in Louisville, Shepherdsville, Mt. Washington and Cincinnati

The story of one woman's bipolar breakdown and how through medication, therapy and the support of an amazing giver she goes to be in recovery, and they become award winning, bestselling authors, bloggers, screenwriters and filmmakers.

• Job: Film